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Sister City Yokohama
title Sister City Yokohamadescription Rocco Satoshi paints bridge side between #S-47 &#S-Abut, Chicano Park, with geometric designs. He is on a cherry picker."Rocco comes to San Diego as a guest artist. Torero and Seja direct him to Chicano Park. Rocco primes the wall then uses Day Glow Paints. Salvador Torres experimented with Day Glow in 1973. This paints fades faster than the acrylics used (Proline Paints, & Nova Color.) Salvador Torres directs Rocco to register his easement permit needed to paint the sides of the bridge. He does not. Salvador Torres receives phone calls from Caltrans reprimanding Salvador Torres for painting the side of the bridge. This action also opens the way for Victor Ochoa to paint between #F-44 &#F-Abut. The slide #7-473 [temp number] shows the attempts to integrate Abutment with the mural (not seen) under the bridge. Caltrans cuts down the tree, and Rocco's mural is now faded and not as bright as shown." Salvador Torres The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Salvador Roberto Torres c/o California Ethnic and Multicultural Archives, Library – CEMA, University of California, Santa Barbara 93106 Phone: (805) 893-8563 E-mail: cema@library.ucsb.eduartist/creator Torres, Salvadorsubject Mexican American Art Artists Asian Americans Mural Art Chicano Art Asian American Art Mexican Americans Chicanoscontributor Calisphere -
Sister City Yokohama
title Sister City Yokohamadescription The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Salvador Roberto Torres c/o California Ethnic and Multicultural Archives, Library – CEMA, University of California, Santa Barbara 93106 Phone: (805) 893-8563 E-mail: cema@library.ucsb.edu View of finished mural. Stars, spirals, lightning bolts. Some bestial figure, possibly a dragon.artist/creator Satoshi, Roccocontributor Calisphere -
Ms Kazan Hoshina Suibokuga
title Ms Kazan Hoshina Suibokugadescription A woman in a kimono facing the viewer. An inscription in the upper margin reads "3 13 86 Ms Kazan Hoshina Suibokuga." Call Number: B8-096 The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Esteban Villa c/o California Ethnic and Multicultural Archives, Library – CEMA, University of California, Santa Barbara 93106 Phone: (805) 893-8563 E-mail: cema@library.ucsb.edu Villa’s E-mail: esteban@villarte.com Web: http://www.chilipie.com/esteban.htmartist/creator Villa, Estebansubject Portrait Drawing Mexican American Art Asian Americans Chicano Art Women In Art Mexican Americans Chicanoscontributor Calisphere -
Other Women Series
title Other Women Seriesdescription Cat.11 017(3) From the Somos Nuevos Mexicanos Exhibition curated by Patricio Chavez at Centro Cultural de la Raza, Balboa Park, San Diego, CA (August 25-September 29, 1989). Leg covered with Japanese characters placed between 2 stalks of flowers The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Centro Cultural de la Raza 2125 Park Blvd. San Diego, CA 92101, 619-235-6135, 619-595-0034 fax, E-mail:centro@centroraza.com. Web: http://www.centroraza.com/artist/creator Marjon, Soledadsubject Flowers In Art Mexican American Art Chicano Art Photography, Artistic Foot In Art Mexican Americans Chicanoscontributor Calisphere -
(Title Unknown) [How Hot It Must Have Been, Miyoko]
title (Title Unknown) [How Hot It Must Have Been, Miyoko]description Cat.3 093(13) Photographs from Hiromi Tsuchida from the Hiroshima Exhibit at Galería de la Raza, curated by René Yáñez and Sal García. Print features a Japanese-style wooden sandal aflame, as well as other small images along the left and right sides. Text is in English and Japanese. English text reads, "Miyoko Inoue's Slipper. At the time, Miyoko, who was in her first year of junior high school, was helping to clear away the rubble at Zainoku-chi (500 meters from the hypocenter). The 550 students there were all killed by the bomb. Her mother searched the ruins for two months to find some trace of her daughter. The only thing she could find was the imprint of her daughter's left foot. Miyoko never returned. How hot it must have been, Miyoko. The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Galeria de la Raza 2857 24th Street San Francisco, California 94110 t: 415.826.8009 Phone: 1-415-826-8009 E-mail: info@galeriadelaraza.org Web: http://www.galeriadelaraza.orgartist/creator Artist Unknownsubject Bombs War In Art Weapons In Art Japanese Americans Asian American Art Graphic Arts Hiroshima-Shi (Japan) Asian Americans Fire In Art Prints Death In Art Shoes In Art Atomic Bomb Victims World War, 1939-1945 Atomic Bomb In Art War Children In Art Biculturalism Japanese American Art Chicano Art Hiroshima-Shi (Japan) - History--Bombardment, 1945 Chicanoscontributor Calisphere -
(Title Unknown)
title (Title Unknown)description Cat.3 093(12) Photographs from Hiromi Tsuchida from the Hiroshima Exhibit at Galería de la Raza, curated by René Yáñez and Sal García. Photograph of man in business suit with a forlorn look holding sign with Japanese text. He also wears a sash with Japanese text. In the background is a large work of public art, as well as other individuals with signs. The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Galeria de la Raza 2857 24th Street San Francisco, California 94110 t: 415.826.8009 Phone: 1-415-826-8009 E-mail: info@galeriadelaraza.org Web: http://www.galeriadelaraza.orgartist/creator Tsuchida, Hiromisubject War Men Hiroshima-Shi (Japan) - History--Bombardment, 1945 Hiroshima-Shi (Japan) Atomic Bomb Victims Asian Americans Bombs Demonstrations In Art Japanese American Art Disasters In Art War In Art Weapons In Art Photography, Artistic World War, 1939-1945 Japanese Americans Asian American Art Atomic Bomb In Artcontributor Calisphere -
Hiroshima Exhibition, Announcement Mural For
title Hiroshima Exhibition, Announcement Mural Fordescription Cat.3 093(14) Mural outside the Galería de la Raza announcing exhibition features a large pocketwatch or stopwatch center on a white background. Text in English and Japanese. English text reads, "Hiroshima March 14-April 14 Galería de la Raza". The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Galeria de la Raza 2857 24th Street San Francisco, California 94110 t: 415.826.8009 Phone: 1-415-826-8009 E-mail: info@galeriadelaraza.org Web: http://www.galeriadelaraza.orgartist/creator Galería De La Razasubject War In Art Weapons In Art Mural Art Japanese Americans Asian American Art Clocks And Watches In Art Hiroshima-Shi (Japan) Asian Americans Death In Art Atomic Bomb Victims Mural Paintings World War, 1939-1945 Atomic Bomb In Art Mexican Americans War Biculturalism Mexican American Art Japanese American Art Art - Exhibitions Chicano Art Hiroshima-Shi (Japan) - History--Bombardment, 1945 Chicanoscontributor Calisphere -
(Title Unknown) [That Playful Girl Was In Fact Grown-Up]
title (Title Unknown) [That Playful Girl Was In Fact Grown-Up]description Cat.3 093(11) Photographs from Hiromi Tsuchida from the Hiroshima Exhibit at Galería de la Raza, curated by René Yáñez and Sal García. Poster is of a handbag, small images of clothing and miscellanea on left and right sides. Text is in English and Japanese. English text reads, "Mariko Fujii's emergency bag. Mariko Fujii died from the blast while she was working near Teramachi Betsuin (1,000 meters from the hypocenter). The only article of his daughter's that her father, Chikara, was able to find was this emergency bag. Apart from the first-aid medicines, she had also included her baby brother's diaper in the bag. The thoughtfulness of this usually playful daughter brought tears to the eyes of her parents. That playful girl was in fact grown-up." The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Galeria de la Raza 2857 24th Street San Francisco, California 94110 t: 415.826.8009 Phone: 1-415-826-8009 E-mail: info@galeriadelaraza.org Web: http://www.galeriadelaraza.orgartist/creator Artist Unknownsubject Bombs War In Art Weapons In Art Japanese Americans Asian American Art Graphic Arts Hiroshima-Shi (Japan) Asian Americans Photography In Art Disasters In Art Prints Death In Art Atomic Bomb Victims World War, 1939-1945 Atomic Bomb In Art Mexican Americans Clothing And Dress In Art War Children In Art Mexican American Art Japanese American Art Chicano Art Hiroshima-Shi (Japan) - History--Bombardment, 1945 Chicanoscontributor Calisphere -
Double Happiness
title Double Happinessdescription Coventry Rag 290 gms. I-size:25" x 31"; P-size 30" x 35"; Ed#: 4/42, 10/ 42; prnt: José Alpuche; mtrx: Destroyed signed. Inscription in pencil reads,"10/42 Double Happiness Arai '00". lower left; The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Self-Help Graphics & Art 3802 Cesar E. Chavez Avenue Los Angeles, CA 90063 For further information: (323) 881-6444 Fax: (323) 881-6447 info@selfhelpgraphics.com Image of an Asian woman eating with chopsticks; loteria cards and Japanese 'Hanfuda' playing cards, & map of East L.A. are set against a black background. Double Happiness is a piece about the mix of cultures that make up the East L.A. / Boyle Heights Community. In this piece a young asian woman reflects while she is eating; the interplay of Japanese Chicano and Chinese from Boyle Heights and Monterey Park are represented through an array of Chicano loteria cards, Japanese 'Hanafuda' cards and Chinese English language flash cards. Colors used: Yellow, Blue, Green, Pink, Red, Black, and Silver.artist/creator Arai, Tomiesubject Emotions Dinners And Dining Mexican American Art Asian Americans Intergroup Relations Maps In Art Chicano Art Prints Mexican Americans Asian American Art Posters Lotería (Game) Graphic Arts Chicanoscontributor Calisphere